Animals Out There W-i-l-d

In this groundbreaking collection of sign language gloss poetry, the first of its kind to be published, Raymond Luczak explores the dynamics of written English poetry and ASL gloss by communing with the animals living in Michigan’s Upper Peninsula. Having lost much of his hearing at the age of nine months, Luczak was not allowed…

publishing date

genre

isbn

979-8-9892333-9-7

pages

134

publisher

Bearskin Lodge Press

The top half of the cover is a warm orange-ish brown color with a pair of thick bright green horizontal stripes. Between these stripes is a goldenrod-color circle featuring an excerpted quote “a magical book that works its spell in musical silence.” Eric Thomas Norris. Below the circle is the title in white and goldenrod colors: Animals Out-There W-i-l-d, and the subtitle in small white caps: A Bestiary in English and ASL gloss. The bottom half of the cover has a solid goldenrod-color background with a partial excerpt of a poem in both English wrapped around the spine on the left side and ASL gloss on the right side. Below the excerpted poem is the phrase in a warm orange-is brown color: Unbound Edition Press.

Description

ANIMALS OUT-THERE W-I-L-D: On ASL Gloss

In this groundbreaking collection of sign language gloss poetry, the first of its kind to be published, Raymond Luczak explores the dynamics of written English poetry and ASL gloss by communing with the animals living in Michigan’s Upper Peninsula. Having lost much of his hearing at the age of nine months, Luczak was not allowed to use sign language until he was 14 years old, when he demanded to learn it. In the former mining town of Ironwood, Michigan, Luczak felt isolated among his hearing peers at school and his family members at the dinner table. More at home in the woods, he discovered a place both wild and welcoming, with no need to guess at meaning through lipreading. Sensing a kinship with the array of animals there, he believed they understood him in ways the hearing world could not. Knowing Deaf people had historically and wrongly been outcast as languageless and wild, Luczak reclaims the woods as a source for his own natural language and sense of belonging.

Skip to content